Justin Bieber is Quite Inquisitive

First, Justin Bieber asked: “Where Are ü Now?”  Now, Biebs is asking: “What Do You Mean?”

After seeing celebrity after celebrity (everyone from Kevin Hart to Britney Spears) post photos and videos of themselves counting down to the release of Bieber’s “What Do You Mean?”, the Biebs has finally released his new single produced by Skrillex. Screen Shot 2015-09-01 at 1.57.59 PM Biebs and Skrillex have previously worked together on Jack U’s track “Where Are ü Now?” (this summer’s banger based solely off of its constant airtime).

The song is EDM-inspired with a tropical house beat while Bieber croons: “What do you mean?/ When you nod your head yes/ But you wanna say no/ What do you mean?”
It pains me a bit to say that I actually really like the song and can even (am I really about to say this?) relate to it.  In the song, Biebs is confused because a girl is being flip-floppy and says one thing but means another.  So basically, he’s like “What the hell do you want?” — a question I have definitely wanted to scream in peoples’ faces who seem to be hot and cold, in and out.  Although I understand the song completely now, I didn’t feel right about the lyrics when I first skimmed through the track.  Initially, it felt like a “no means yes” controversy, and to be honest, it didn’t really surprise me at the time because, well, Justin Bieber (enough said).

The Biebs is officially back (not sure how to feel about this).

Stay tuned,

Roxanne

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This is NOT about The Bee Gees

It’s a tiny bit disheartening that when you Google search “How Deep is Your Love,” the Bee Gees only made it to one result on the first page while a majority of the pages link to Calvin Harris.

In mid-July when Calvin Harris released his and the Disciples’ new deep house track “How Deep is Your Love,” it was expected to be a summer banger.  With its funky bass and repetitive chorus, I can understand why people would consider the song one of their summer jams (I’m looking at you, bros).

The same can’t be said for Frenchman DJ Snake’s remix of “How Deep is Your Love.”

As has been probably mentioned in several previous blog posts, I’m a fan of DJ Snake.  I’ve seen him six or more times already (including one time when my phone got stolen by a boy wearing a cardigan in a club, which in all realness, should have been a red flag to begin with), and have enjoyed every single performance. dj snakeHe’s even been dominating the radio this summer between his version of AlunaGeorge’s “You Know You Like It” and “Lean On” with Major Lazer and MØ.  Despite all of that, I really dislike his remix of Harris’ “How Deep is Your Love.”  The remix had so much potential until the beat dropped and some God-awful, annoying horn starts ringing like crazy.  In comparison to DJ Snake’s other work, this remix falls short, which is why I dislike it so much.  So basically, like a parent to a teenager, I’m disappointed in DJ Snake.  I would be interested to hear what a purely trap remix of the song would sound like.  If Ookay had remixed “How Deep is Your Love,” I imagine it would be all the trappy ratchetness I was expecting from DJ Snake.  I also think Oliver Heldens could really add to the song with his signature bouncy bass.

 

My love for DJ Snake’s remix of the song is not deep at all.

Stay tuned,
Roxanne

Top 10 Best Songs for a Pregame

I’ve always understood the importance of a *fire* pregame playlist.  The songs queued up set the tone for the night and are supposed to pump you up for impending shenanigans.  You sure as hell don’t want to hear Bon Iver when you’re 4 shots deeps (I mean, unless it’s that kind of night).  Sure, you can easily play an hour-long DJ set from Ultra or Coachella (like this one), but I’ve recently found that having a playlist of a healthy mix of hip-hop, indie pop, and electronic music will better cater to all of your buddies’ listening preferences.  Having just celebrated survived my 21st birthday this past weekend, I’d say I have a pretty good understanding of the pregame playlist:

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1. 679 by Fetty Wap, Remy Boyz.  Fetty is taking full advantage of the spotlight that “Trap Queen” put on him.  Fetty’s rolling deep with the Remy Boyz in this bass-heavy track that’s perfect for when you’re equally as squad deep.

2. Last All Night (Koala) by Oliver Heldens, KStewart.  I love me some Oliver Heldens.  In this song it’s more about the bouncy beat and less about the average female vocals.  That catchy beat can make anyone dance – even your one friend who really just shouldn’t.

3. Bitch Better Have My Money by Rihanna.  Rihanna’s a straight-up trap (music) queen on this one.  Her badass attitude and sneer as she spits out lyrics make you kinda lose it and sing/scream along (even if no one actually owes you money).

4. 7/11 by Beyoncé.  “Smack it, smack it in the air.”  Warning: The beat on this track/the alcohol you’re chugging makes you think you can dance like Queen Bey — you can’t, but it’s cool.

5. Slowly by Dropout.  I’m a HUGE fan of this track (but not its marketing tactics).  I love how the pitch shift and slight dub step tones make for a fun, carefree song.

6. My Type by Saint Motel.  With a jazzy, disco-y opening that’s heavy on horns, guitar, and bottle clinks, you already know you’re in for a good time with this track.  You can’t really help but dance like an idiot (I dance purely with my shoulders for this song).

bridesmaids 2

7. I Don’t Like It, I Love It by Flo Rida, Robin Thicke, Verdin White.  Just a breezy song that makes you want to dance whether you like it or not.  Although Robin Thicke has landed on my shit list and Flo Rida doesn’t make it on my list of favorite artists, I still dig this song.

8. You’re On by Madeon, Kyan.  This is a great example of an EDM-radio-friendly song with its airy vocals and poppy beat and bass.  It’s just fun, and that’s exactly what you need at a pregame.

9. Like a G6 by Far East Movement.  An oldie but still a goodie if ya ask me!  So easy to get ~slizzard~ to this one.  You’re going to sing along and remember when you used to blast this to get pumped before your high school semi-formal.

10. After Life by Tchami, Stacy Barthe.  This one’s a little heavier and feels more geared towards raging, but is reminiscent of Oliver Heldens’ bouncy beat.  Go ahead, take that last shot.

Stay tuned,

Roxanne

HOLD ON: Is it a music video or a film?

BOTH.

A couple hours ago, Disclosure released the first music video from their sophomore album Caracal, which is slated to hit shelves on September 25th.  The first single, “Holding On,” features vocals from Gregory Porter on top of a soulful, bouncy beat.  Screen Shot 2015-06-30 at 10.42.19 PMThe music video for the single is directed by Ryan Hope and is one out of a four-part short film.  The whole music video/short film concept has been done before (shout out to R. Kelly and “Trapped in a Closet”), but when done right, it can be extremely successful; after watching the first clip, you feel compelled to follow the story.

“We wanted to create something very different with our music videos this time around, something unique that would connect all the songs from the album and the videos in a special way,” wrote the electronic music duo in a Facebook post.  “This is the first of a series of four amazing videos directed by Ryan Hope that come together to create a short film… ‘CARACAL’ so, as each music video comes out… The plot unfolds. We hope you enjoy!”

The music video seems to be set in a dystopian world complete with strict, robo-type, surveillance-obsessed cops/soldiers.  Mariela, the apparent heroine, flip flops between raging, smoking, and looking intense/suspicious throughout the entire six-minute video.  DisclosureFrom what I could gather (which wasn’t much to be honest), a couple sketchy guys/rebels need someone to complete a task and apparently, Mariela is the perfect gal to get it done because she has a “secret.”  Shortly after, some sacrificial ceremony takes place and Mariela then gets a tattoo of a pair of particularly creepy, but like, magical eyes.  After she gets her tattoo, she has telekinetic abilities so (or was this her “secret” that they were talking about?), naturally, she lifts a car up and drops it, which causes the robocops to chase after her.  The music video ends with Mariela hopping on the back of a motorcycle and running from the super cops.

To find out what comes next, we’ll just have to wait until the next installment of the series.

Stay tuned,

Roxanne

This Track is Pure (Santi)GOLD

We haven’t heard from Santigold since her contribution to the Hunger Games: Catching Fire soundtrack in 2013 (“Shooting Arrows at the Sky” — less than stellar work if you ask me).  And if I’m being technical, we haven’t REALLY heard from the Philly-born singer/producer since 2012 when she dropped her album, Master of My Make-Believe. Understandably though, she’s been busy with her adorable son, Radek (I guess if your name is Santi, it’s only right that your child’s name is just as, uh, unique).

We can thank sweet baby J for this new Santigold track, “Radio,” a contribution to the Paper Towns soundtrack.  With a big beat (trap is SO in), a catchy hook, and classic Santigold vocals, this track is the perfect mixture of banger and anthem.  Santigold-mainNo doubt the song plays during the part in the movie where the main characters, played by Cara Delevingne and Nat Wolff, are feeling particularly young and free causing them to stick half of their bodies out of a car window or sunroof just lovin’ life — assuming Paper Towns is like any other John Green/coming-of-age book-turned-movie.  Storyline aside, the Paper Towns soundtrack is impressive and diverse, featuring artists like Galantis, Vance Joy, Saint Motel, Vampire Weekend, and more.

This new Santigold track has me stoked to hear her new album, which she plans on releasing later this year.

Paper Towns track list:
1. Santigold, “Radio”
2. Twin Shadow, “To the Top”
3. Sam Bruno, “Search Party”
4. Kindness, “Swingin Party”
5. Vance Joy, “Great Summer”
6. Vampire Weekend, “Taxi Cab”
7. Son Lux, “Lost It To Trying” (Paper Towns Mix)
8. Saint Motel, “My Type”
9. Galantis, “Runaway (U & I)” (Svidden & Jarly Remix)
10. HAIM, “Falling”
11. Grouplove, “No Drama Queen”
12. De Lux, “Moments”
13. Alice Boman, “Be Mine”
14. The Mountain Goats, “Used To Haunt”
15. The War on Drugs, “Burning”
16. Nat & Alex Wolff, “Look Outside”

Stay tuned,

Roxanne

A Different Feel to MGMT’s “Electric Feel”

With a signature psychedelic pop beat and a happy bounce, MGMT’s hit “Electric Feel” is 100% on every hipster’s “Party,” “Chilling Out,” and “BBQ” playlists.  crookedcolours2But Perth-based electronic trio Crooked Colours have completely changed the vibe of “Electric Feel” with their reworked version.  Crooked Colours has managed to turn the MGMT hit into a mysterious and edgy song with haunting vocals and a steady synth.  Who knew “Electric Feel” could sound so dark?

In a 2014 interview with Triple J, the trio said audiences can expect “live drums, hard-synths and three sloppy rigs” at a Crooked Colours live show.  They had me at “live drums.”  Unfortunately, this summer, the trio is only hitting up Australian cities, like Sydney, Melbourne, Brisbane, and their hometown Perth.

I’ve only heard a couple tracks from these guys and I’m already down (under).

Stay tuned,

Roxanne

Mud, Sweat & Beers: Firefly 2015

Now that the mud and filth that had been accumulating in layers on my body have been scrubbed off, I can finally recover comfortably by binge watching shows and movies all day on my couch in my wonderfully air conditioned home, and recall all of the memories made this past weekend.

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I had never camped at a music festival before, and I had never been to a four-day music festival either so Firefly seemed a bit daunting to me at first, but I was ready for the challenge.  The squad was more than prepared — though, it didn’t initially feel like it as we made the trek to Dover, Delaware (more like DelaWHERE, am I right?!) unsure of what to anticipate.  Upon arriving at our home for the next four days, we were forced to set up camp in our muddy swampland (that’s over exaggerating, but not entirely inaccurate) while it was lightly raining.  There was an unspoken nervousness about the precedent that this set for the long weekend ahead of us, but at the same time, there was a oh-well-fuck-it-let’s-have-fun-anyway vibe in the air.  And that’s exactly what we did despite the weather, living conditions, hygiene levels, and chaffing issues (our weekend was sponsored by Johnson & Johnson baby powder).

Day 1, Thursday.  After setting up camp and getting acclimated with our makeshift home, we chilled until the late start of the festival.  What was supposed to be a relaxing day, though, turned out to be kind of strenuous since the mud made trekking through the festival pretty tough.  Thank baby J for Target rain boots because it made getting from stage to stage just a tiny bit easier.  After solving some wristband entry issues, we were off to an otherwise great start music-wise with Hey Rosetta! at the Backyard Stage.  The lighthearted indie rock sound of the band made it easy to jam out despite not previously knowing their songs.  After hearing the one Panama Wedding song I knew, we headed over to catch a bit of Grizfolk, who I’d previously seen open up for Bastille on their Bad Blood tour.  When I first saw Grizfolk, I was extremely underwhelmed, but at Firefly, it was clear that they had improved and their typical alt rock sounds were exactly what I needed while I chomped on Hawaiian-style soba noodles (the real MVP of the weekend).  Catching the tail end of Solidisco at the Pavilion Stage (which housed most EDM acts for the weekend) pumped us up for Sweater Beats, who I had seen open up for Flume and, later, Chance the Rapper when he came to Rutgers.  Sweater Beats was one of my favorites of the weekend — his use of choppy synths and tight drums remind me of Flume and Cashmere Cat, but are unique in the way he combines multiple layers of sound packaging it all in a dance-worthy track (i.e., “Cloud City”).  After Sweater Beats was the first tough scheduling conflict of the weekend between The Kooks, X Ambassadors, and Tycho.  Since I’ve already seen Tycho at Coachella, I stayed for about 3 songs before moving to X Ambassadors who I was STOKED to see. Besides “Jungle” and “Renegades,” I was unaware of other X Ambassadors songs.  I was pretty disappointed with their other songs, which when played live, sounded like they were confused about what sound they wanted to establish for themselves.  Nonetheless, “Renegades” and “Jungle” were on point and the perfect amount of rock and roll.  On the way out, we heard The Kooks and were still jamming, so I can only imagine what it was like to be in the heart of the crowd during hits like “Junk of the Heart (Happy),” “Bad Habit,” and “Naive.”

Day 2, Friday.  The first day of waking up early due to the heat started with a trip to the porta potties, which were steadily hoarding all types of waste products.  After taking a baby wipe shower and feeling like a million bucks after doing so, we hung out at the campground until leaving around 2:30pm to try and catch Manchester Orchestra at the Main Stage.  Firefly 10Despite my face melting off, I was pleasantly surprised at how much I enjoyed Manchester Orchestra and their alt rock songs — it provided a nice break from the predominantly indie weekend.  Other notable performances of the packed day included Walk the Moon and Odesza (another weekend favorite of mine).  I was stoked to see Cage the Elephant and even left Walk the Moon a bit early to catch ’em.  I wasn’t particularly impressed but not necessarily disappointed by their performance — I would say their set was just average.  “Come a Little Closer” and “Ain’t No Rest for the Wicked” were still amazing, of course.  Lead singer Matt got me stoked to see Paul McCartney later that night by singing Happy Birthday to Sir Paul.  Glass Animals was just as groovy as you’d imagine with their hard-to-pinpoint sounds that put you in what feels like a drug-induced trance (perfect for: those tripping on Acid).  After Glass Animals was the second tough conflict: Modest Mouse, Run the Jewels, and Kygo.  After staying for about 10 minutes of Modest Mouse, we headed over to Kygo, which was  a no brainer for me since I had skipped out on him early at both Ultra and Coachella.  Listening to Kygo’s steel drum synths just felt right, but when the second set of speakers shut off leaving only the main speakers, it got kind of old after a while.  From what I heard from my other friends, Run the Jewels was as aggressive as their music is, creating a fun and wild atmosphere for the crowd.  After finally finding a spot on the grass that wasn’t too muddy, we popped a squat and enjoyed listening to Paul freakin’ McCartney.  Having parents who always sung Beatles songs to me growing up, and I mean, being a functioning human and knowing who the Beatles were, it was hard for me to come to terms with the fact that I was seeing a Beatle perform LIVE right in front of me who was also breathing the same air as me.  Since he had just turned 73 the night before, it was only right that Paul opened up with “Birthday.”  My Firefly moment- and the moment I’ll remember for the rest of my life- was when thousands upon thousands of festival attendees came together to sing along to Hey Jude.  Looking at the illuminated stage and the crowds that surrounded, I couldn’t help but get choked up thinking: you’ll never be as young as right now.  I get the chills every time I think about the moment.  It felt weird going from that magical moment to the raging crowd of Zedd, who I was initially excited to see, but was ultimately unimpressed (although my friends had a blast).  I made what I consider one of the best decisions of the entire weekend by leaving Zedd early to catch Marian Hill who was straight up swagger and baby-making music.  The use of heavy beats, sensual saxophone solos, and smooth vocals immediately made me 8-months pregnant.  I was sweating profusely both from the humidity and the music.

Day 3, Saturday.  After marinating in my filth for 3 days, I finally took a mini-shower via watering can and a few water bottles.  I felt like a new woman — and that’s no exaggeration.  Still exhausted from the day before, we took it easy and played several rounds of Mafia, which was full of ridiculous death stories and random accusations (shout out to the South Beach Killa), before leaving around 3pm to catch Gary Clark Jr.  We were all so clearly beat from the day before so we spent most of the day sitting on a picnic blanket listening to the music.  Firefly 2Gary Clark Jr. was awesome and obviously one long guitar riff upon guitar riff.  Andrew McMahon was underwhelming, but it could also be because I was expecting him to perform more Jack’s Mannequin stuff.  After was the most energetic set and one of my absolute favorites of the weekend: Matt and Kim.  I love Matt and Kim, but I was totally not expecting their set to be THAT much fun.  The Brooklyn duo are perfect together and their stage presence/energy was palpable; aside from catchy pop beats with heavy percussion, their set was full of crowd surfing (“If you have never crowd surfed before, now’s the time to check that box off!”), t-shirt waving, and jumping.  Matt and Kim got the crowd moving like no other artist I had seen that weekend.  After Matt & Kim, I caught a bit of Spoon while spooning some salad into my mouth (lol), and was expecting to see Dirty Heads, However, because of an impending storm, Foster the People was moved up 15 minutes earlier than expected, which means I had to go right from Spoon to Foster.  Firefly 7One of my biggest disappointments of the weekend was not being able to see Dirty Heads.  My favorite of the entire weekend was Foster the People, and while yes, that is probably a biased opinion, their set was amazing nonetheless full of all its typical glorious psychedelic indie rock through a combination of songs from Supermodel and Torches.  It felt almost religious while they were playing “Coming of Age” knowing that they had first debuted the song at Firefly 3 years ago.  We were at Kid Cudi for a few songs before he stopped short with an announcement that Firefly was shutting down for the night due to a big storm with approximately 60 mph winds (aka enough to blow me away).  Because of the storm, Kid Cudi was unable to continue and Kings of Leon didn’t get to perform.  Firefly 12A bit freaked out by this, we rushed back to the campsite and acted like a mini-army moving quickly to get everything in place before the storm came — it almost felt like we were in The Day After Tomorrow, and I’d be lying if I said I didn’t for a second consider calling an Uber to take me anywhere but there.  That night, we slept inside our cars, but at 4am I couldn’t take the heat of the cramped trunk of the van and had to go for a walk around the campgrounds with a friend.  It felt a little surreal to see some of the damages the storm caused and reminded me vaguely of the time I drove around with my family after Hurricane Sandy had hit New Jersey.

Day 4, Sunday.  Momma, we made it!  It’s safe to say that every single one of us (and there were 12 of us to be exact) felt both exhausted and excited on the last day of the festival.  It was a weird combination of excitement for the day ahead, but also for the day to be over because that meant home, real showers, air conditioning, a bed, and food other than burgers and hot dogs.  Firefly 9After packing up our campsite and moving to a parking lot closer to the actual festival, we were all ready to endure the day.  Although we were excited for all the acts we were seeing that day (to name a few: Hozier, Bastille, and The Killers), we were all counting down (“After this set, we only have Bastille, Empire of the Sun, The Killers, and then home!!”).  Despite having already seen Hozier at Coachella, he was one of my favorites of the weekend.  With his man bun, blues-y, rock and roll rhythms, and romantic yet destructive lyrics, Hozier wow-ed the crowd playing hits like “From Eden” and “Someone New.”  Because mother nature took Sunday a little too seriously, it was incredibly hot the entire day, so for as many acts possible, we took shelter on the good ol’ grass.  I enjoyed Bastille so much and sang along to every song because it’s impossible to not, but I was a bit disappointed with the sound production considering they performed on the Main Stage.  The bass created an uncomfortable sound that slightly took away from the vocals.  Still, Dan from Bastille is a dreamboat and I’d listen to him sing any day.  FINALLY, we were waiting in the tightly packed crowd for The Killers with sweat dripping from all possible places on our bodies.  The Killers were 20 minutes late, but were immediately forgiven when Brandon Flowers ran onto the stage with his boyish charm and nothing but a smile and a “Hello” before bursting into “Mr. Brightside.”  It didn’t take long for the crowd to lose control and sing along to the song that we’ve all screamed at the top of our lungs at least one time before.  Responsible for so many hits, The Killers made sure to play all of them from “All These Things That I’ve Done” to “Somebody Told Me.”  Along with their hits, The Killers paid homage to Creedence Clearwater Revival (“You guys like CCR?”) by playing “Bad Moon Rising” and honored Kings of Leon (“You guys like Kings of Leon?”) by performing a cover of “The Bucket” and an abridged version of “Use Somebody.”  I, personally, had another Firefly moment when the band performed “Runaways,” one of my favorite songs.  I felt honored to have been able to see The Killers perform considering a performance from them nowadays is rare.  Just like during Foster the People, it was amazing to watch the band come in a full circle since they performed at the inaugural Firefly in July 2012.  It only felt right that the night and the entire weekend closed out to “When You Were Young.”

While my time at Firefly was enjoyable, there are things the festival can improve, like having more stadium lights put up considering both the wet and dry mud created uneven and almost dangerous walks at night.  Also, their evacuation method was unorganized and could have easily been chaotic if the hordes of festival attendees began to run back to their campsites.  Although the severity of the storm was unexpected, a precautionary plan should have been created and implemented given that the forecast for the festival had predicted rain for the weekend anyway (trust me, I know because I checked the weather several times beforehand to help plan my #ootd).  As for the mud though, I think Firefly did what it could to make things a bit easier for attendees.firefly 1

In the heat of the moment (literally — if it wasn’t hot, it was humid), I was unable to truly consider my time at Firefly — honestly, I think dirt was clogging my brain.  But looking back now, Firefly was the perfect way to end my season of festivals.  The dirt might be gone, but my sunburn and memories live on.

Stay tuned,

Roxanne

 

10 Best Songs to Make You Feel Badass

Some days you need to be reminded that inside of you lives a rebellious badass that’s tatted up, in a motorcycle gang (what’s up, Jax Teller?), and only wears combat boots.  Or some days you just need a killer playlist to make you strut with your head held high.  Whatever day it may be, grab your leather jacket and wayfarers, and bump this percussion and guitar riff-heavy playlist to feel like the ultimate badass:

Michelle badass1. Nasty Freestyle by T-Wayne.  If you’re hopping out of a Porsche, you are most likely a badass.

2. Jungle by X Ambassadors, Jamie N Commons.  If that drum-clap pattern doesn’t make you feel tough, nothing will.

3. Sweet Talk by Kito, Reija Lee.  Currently signed to Mad Decent, the producer/singer duo originally from Perth, Australia delivers a perfect badass song with their blend of bass and vocals.  Aside from being featured in Victoria’s Secret 2013 Spring/Summer commercial, “Sweet Talk” was also sampled in Trinidad James’ single, “Females Welcomed.”

4. Elephant by Tame Impala.  Perfect for: the groovy badass.  Maintaining a classic rock guitar riff throughout the song, Tame Impala gives their take on “badass” by mixing it up with rhythmic retro/futuristic shifts in sound.

5. Howlin’ For You by The Black Keys.  Picture this: you and your squad walking strutting in one of those typical formations — preferably in slow motion.

6. Black Skinhead by Kanye West.  Can this be played every time I’m about to walk in a room to get people absolutely pumped for my arrival?!

7. Believe by The Bravery.  *Cue an exploding building in the background as you walk in slow motion.*

Stefan badass

8. Bad Girls by M.I.A.  THIS ONE’S FOR ALL THE BAD BITCHES.  “My chain hits my chest/ When I’m banging on the dashboard” — I don’t wear a chain and I don’t bang on the dashboard (that’s rude and annoying), but I identify so much with this song.

9. 99 Problems by Hugo.  Speaking of bitches, here’s a catchy cover of Jay Z’s “99 Problems” — the banjo and tambourine combo makes me want to duel someone Western style and trade in the combat boots for some tough cowboy boots.

10. Wicked Ones by Dorothy.  What makes this song so badass is its wicked heartbeat and raspy vocals.  “This night ain’t for the faint of heart, ‘cause the faint of heart gon’ fall apart,” sings Dorothy, obviously prepping you for whatever badass activity you’re up to.

Stay tuned,

Roxanne

Mystery Solved

But this time, it doesn’t feel so fulfilling.

Last month, Proximity, a popular EDM YouTube channel, posted an anonymous track titled “Slowly.”  The track gained mounds of support from artists like Oliver Heldens and Pete Tong.  Reddit users and music blogs alike speculated that the track belonged to ZHU due to its anonymous nature (even though we know who you are already, Zhu).  So, basically, everybody lost their shit because this dance-worthy track was so ~mysterious~.

Turns out, the track belongs to Dropout, a trio of friends (Ethan, Ray, and Selden) from Santa Barbara and Big Beat Records’ newest signees.  “We want our music to help listeners not only dance their faces off, but also find a sort of meaning or release in that dance, beyond just the fun of jamming out,” Dropout explains. “So that’s why we decided to initially release the track as an ID, because we wanted people to have an opportunity to experience the song independent of us, and just to feel the music as a piece of art that isn’t necessarily tied to anybody but the listener.

Dropout

LOVE the track — it’s fresh, groovy, and will 110% be one of my summer jams.  The combination of pitch-shifting vocals and bouncy beat makes for a perfect festival hit.  It’s one of those rare songs that can be light, fun, and airy, but heavy and meaty all at once (thanks to the dub step undertones).  But as for the mysterious marketing technique behind the track release: over it.  Don’t get me wrong — I still obsess over the novelty of Zhu’s initial anonymous marketing concept.  Jake Udell (of Th3rd Brain) and his team were the creators behind Zhu’s mystique marketing concept.
The_Nightday_EP_ZhuThere was just something so inexplicably cool about seeing that low-key Zhu logo and being unable to see him clearly as he hid behind a mesh screen while playing.  Similar to the well-known street artist Banksy, there’s just some grandeur about not knowing who is actually behind a work of art that you love — it could be anyone.  In Dropout’s case, though, it seems a bit stale and overdone.  I mean, the trio probably had good intentions and really wanted people to initially connect solely with the song rather than the three of them, but after only a month of anonymity, they reveal themselves!  I’m being so unnecessarily hard on Dropout, but there’s just something about it all that doesn’t seem genuine, and instead, seems manufactured and maybe a little desperate.

Regardless, “Slowly” is still one of my favorite songs at the moment

Stay tuned,

Roxanne

10 Best Songs from Governors Ball 2015

Since I went to Gov Ball days 1 and 3 this past weekend, I thought it would be appropriate to theme this week’s “10 Best Songs” post around Gov Ball — kind of like a festival recap.

When it comes to great music, Gov Ball is pretty much on point.  When it comes to the entire festival experience, though, Gov Ball is slacking.  Compared to other music festivals, Gov Ball seems like a series of diverse concerts thrown together in the park.  And sure, they might have tasty food trucks/stands and a super fun silent disco (who doesn’t love looking like an idiot?), but they lack that certain umph that makes the festival feel like, well, a festival.  Being held in a city that overflows with emerging artists, Gov Ball could easily feature various art installations that would totally be Insta’ed, which would add to Gov Ball’s festival cred and image.  Regardless, I still had so much fun at Gov Ball both this year and last.  Gov Ball has no where to go but waaay up (I’m saying this primarily to make a play off of Big Sean’s “Blessings”).  Here are my favorite songs from the weekend:

Gov Ball

1. Cape Cod Kwassa Kwassa by Vampire Weekend.  Unfortunately, Vampire Weekend wasn’t officially at Gov Ball this year. BUT Chromeo teased the crowd by playing the beginning chords of “Cape Cod Kwassa Kwassa,” and then proceeded to bring Ezra Koenig on stage to perform the song.  It was AMAZING, and it definitely brought me back to Gov Ball 2014.  After, Chromeo played “I Could Be Wrong,” which Ezra is actually featured on — and if I’m being completely honest, I had no idea they even had a song together.

2. Jealous (I Ain’t With It) by Chromeo.  Chromeo is always so groovy, and when they played their hit, the entire crowd (even way back where I was) got funky and pulled their weirdest dance moves out with no judgment whatsoever.

3. Bloom by ODESZA.  It’s probably obvious by now that I may or may not be Odesza’s #1 fan so it will come as no shock that I loved their set. However, just like Coachella, they were stuck in a tent so I had no choice but to squeeze through the tight, sweaty crowd to get a little further in from the back to fully hear the set. Again, I wasn’t thrilled with the sound quality since it didn’t quite reach the back, but the duo was amazing as usual. To be fair, I had high standards for the quality of the performance since I saw Harrison and Clayton (yeah, we’re on a first-name basis now) play the night before at Rough Trade to a super intimate crowd of maybe 200 fans.  No matter how many times I see them, their live performance will never get old to me.  The energy at their Gov Ball performance was so palpable and quite possibly my favorite of the weekend.

4. What Kind of Man by Florence + The Machine.  I’m a sucker for heavy percussion so this song was definitely my favorite of her Gov Ball set. When I saw Flo last, it was at Coachella right after she broke her foot; due to her broken foot, she had to have a stripped performance, which was great, but kind of a downer since she always has the best stage presence with her electric energy.  This time, she didn’t hold back one bit.  Her performance was a mix of songs from Lungs, Ceremonials, and her newest album How Big, How Blue, How Beautiful.  I’m a huge fan of her old albums, but it was cool to hear her perform new songs, like “St. Jude” and “Ship to Wreck.”

5. Energy by Drake.  Talk about ENERGY when it comes to Drake’s performance.  Drake started and closed with “Legend” and boy is he a “motherfucking legend.”  He was just as amazing as he was at Coachella, but there was something about that Gov Ball/New York vibe that made his performance that much better.  Also, nice try, Drake, but you also said “this is the best festival crowd I’ve ever seen” and “I’ve never experienced a crowd like this before” at Coachella — I guess his acting gig on Degrassi really paid off.

6. You + Me (Remix) by Flume, Eliza Doolittle.  I didn’t go to Gov Ball day 2, so I wasn’t there for Flume’s set, but from what I’ve seen via Instagram video, it was absolute *fire emoji*.  If it was anything like his performance at Terminal5 that I was at last summer, I’m sure it was nothing short of amazing.

7. Elephant by Tame Impala.  I said this at Coachella too, but Tame Impala is definitely meant for people tripping on acid.  They just have a way of sending out those triply, groovy vibes.  It would’ve been a different experience if the band played at night though since it was a little hard to see their visuals in the daylight.

8. Get On Up by Big Gigantic.  I was pleasantly surprised by the successful blend of jazz and electronic music — the mix of saxophone, drums, and bass flowed naturally into one another.  I was also pleasantly surprised to see that the saxophonist is a D.I.L.F. (I don’t know if Dominic Lalli is actually a dad, but still).

9. Video Games by Lana Del Rey.  I’m a huge fan of Lana with her deep vocals and melancholy rhythms so I was stoked to see her perform.  In fact, she was a big part of why I decided to go back to Gov Ball on Day 3.  Her back drop was a sight, her outfit (a New York Yankees jersey dress) was on point, her hair was perfectly coiffed, her face was obscenely beautiful, and her voice was- well I’m not really sure.  For some odd reason, the sound was terrible at the Honda stage, and the crowds to the side of the stage and all the way back could hardly hear her.  From seeing other people’s Instagram videos who were closer to the stage, she sounded angelic.  But looking back at my own Snapchat story where I recorded Lana, I could only hear the people talking around me instead of the music.  However, every time I was able to hear tiny snippets of her singing, I was in love.

10. Little Black Submarines by The Black Keys.  Since I was at Lana for her entire performance, I sadly missed all my favorite Black Keys songs, like “Howlin’ for You,” “Gold on the Ceiling,” “Lonely Boy,” and “Gotta Get Away.”  However, ending Gov Ball weekend with “Little Black Submarines” just felt right.  Starting as a ballad that could almost pass as a lullaby, the song explodes with energy as it erupts into a full-on rock chorus heavy with guitar riffs and drums.  As we were all air guitar-ing, fireworks burst into the air right on cue to signify the end of a weekend filled with great friends and live music.

Stay tuned,

Roxanne