Top 10 Best Songs to Set the Mood

Let’s be real — sometimes it takes more than candles, rose pedals, and whatever else you’re in to (no judgment here) to set the mood.  You can play the stereotypical Marvin Gaye or Miguel, but where’s the fun in that?  Besides, “the mood” is different each time — for example, a song to set the tone for when one of you is going through a difficult time (so, like, grief babymaking) will most likely not set the proper “mood” for when you’re both coming home from a great night, slightly buzzed, and majorly frisky (I mean, unless that’s your thing).  “The mood” varies, and so should each babymaking song.  Here’s a playlist with a mix of indie, hip-hop, electronic, and a whole lot of ~sensual~ music accompanied by rom-com worthy situations for each song:

Parks-and-Rec101. Good For You by Selena Gomez, A$AP Rocky.  “Let me show you how proud I am to be yours/ Leave this dress a mess on the floor”  You’ve been dating your significant other for a little while now, and it’s really good, but you’re so paranoid of it becoming stale.  You’re unconsciously desperate and almost obsessed with pleasing your partner.  You constantly think of ways to surprise him/her and prove that you’re worth it.  (Side note: You’re worth it.  Don’t ever prove yourself to anyone.)

2. All The Time by Bahamas.  “I’ve got all the time in the world don’t you want some of that”  Two words: Afternoon delight.  You wanted the both of you to play hooky from work to, ummm, “spend time” with each other, but you have that 10:30am conference call that you cannot miss.  So you both go to work, but both rush home to “eat lunch.” 😉 😉 😉  You both go back to work slightly frazzled, a little messy, but with a bigger smile and a bit more energy.  Hey, lunch must’ve been really delicious today!

3. One Time by Marian Hill.  “You like the hit and run/ You say it’s all for fun”  This song is straight-up sensuality and swagger.  You meet someone at the bar (who’s not creepy or douchey or ditzy – idk it might be the tequila talking), and you’re surprised at how decent the conversation is.  You initiate conversation because you apologize for your drunk friend bumping into everyone in a 10-foot vicinity, and he/she flashes you a 1000-mega-watt smile (idk again, everything’s kind of blurry).  You talk a little about your music tastes, your careers, and your mutual dislike for Donald Trump, and wow, you’ve never met anyone this refreshingly normal at a bar before.  It goes without saying that you mutually agree that tonight, despite what Marian Hill is crooning about, you will have a one-night stand (and promise to pretend to still be sleeping when the other is tip-toeing out of the apartment the next morning).

4. Powerful by Major Lazer, Ellie Goulding, Tarrus Riley.  “There’s an energy/ When you hold me/ When you touch me/ It’s so powerful”  You’re at your friend’s overly packed holiday party, and as you’re trying to make your way back to the bar to fill up your glass, you bump into your old ex (the one that you really and wholeheartedly loved even when you broke up and cried for weeks and watched PS I Love You over and over again).  You’re both kind of startled, but in a crowded room full of people, it’s just you two.  And, honestly, it feels comforting to see such a familiar face.  He/she asks if you want to get some air, get a drink elsewhere, or really anything to be alone together.  (Side note: This has probably already happened in roughly 85-120 romantic comedy movies probably starring either Kate Hudson or Katherine Heigl.)

5. Talk is Cheap by Chet Faker.  “I wanna make you move with confidence/ I wanna be with you alone”  You’re both coming back from a great dinner filled with plenty of laughter and happiness.  As you walk home arm-in-arm, you realize how much you admire him/her — literally everything about the person, even the annoying way he/she puts the carton back in the fridge even though there’s about a millimeter of juice left.  When you both finally arrive home and are unwinding, but still basking in the greatness of the night, you both mutually want to show each other just how much you really feel for one another.  (Side note: This song is meant for your FOR REAL, ride-or-die, legitimate lover/soulmate/best friend/person.  Chet Faker should not be taken lightly.)

6. Two Weeks by FKA Twigs.  “My thighs are apart for when you’re ready to breathe in”  You’ve been dating your significant other for a while because, let’s be real, things can get real freaky when FKA Twigs comes on.  No need to go into detail with this one *insert awkward/nervous emoji here*.

7. Black Mambo by Glass Animals.  “Slow down/ It’s a science/ He’s been waiting/ To bring you down”  You’re at an informal, mini-reunion with all of your old college pals, and you’re having a genuinely good time catching up with everyone and feeling like absolutely nothing’s changed.  One minute you’re chugging beer with your one friend you always thought was attractive but never had the guts to cross that line, and the next minute you’re asking that friend: “What if we actually did hook up back then?”  More than a few minutes after that (or at least I’d hope so), your “What if?” becomes a “What now?”

8. Slip by Elliot Moss.  “Whoa, whoa, whoa”  You’ve been dating this person for a little while now, but the relationship (if you can even officially call it that yet) is still brand spankin’ new.  Everything’s a little awkward at first, and you’re both cautious and a little timid, but there’s also a sense of urgency.  You fumble, you stumble, you mumble.  Everything’s tame, but you both know how pivotal this moment is.

9. Four Walls by Broods.  “I wanna make you feel how I feel when I’m listening to love songs/ I wanna take you to the peak of everything that you are”  Everything’s perfect, and you both love each other a ridiculous amount.  But then your company transfers you to a branch in a different country, and you’re stoked because this is your dream and exactly what you’ve been wanting to do — the ultimate next step in your career and your life.  And then you remember your significant other.  You both talk about it over and over again, and you both realize it wasn’t meant to be at this time.  You ache because you know that in another life, in other circumstances, you would 100% be together, but not right now.  You spend your last night in your home country in the place you know best.

10. Often by The Weeknd.  “I usually love sleeping all alone/ This time around bring your friend with you/ But we ain’t really going to sleep at all”  You swore you would stop hitting up your friend-with-benefits/routine booty call, but it’s Saturday night and you’re bored.  So your FWB comes over to innocently watch the game with you and drink a couple of beers.  But then you’re both staring at the game timer as it slowly ticks down second-by-second, and oops wow, you didn’t even realize you were holding your breath with your fists tightly clenched.  It goes to commercial, and in a nanosecond you look over at each other, make knowing eye contact, and then — touchdown, goal, score, home run (who even knows what sport you two were “watching”).

**BONUS**

magic mike

11. Pony by Ginuwine.  “My saddle’s waiting/ Come and jump on it”  When you feel like getting your Magic Mike on.

Stay tuned,

Roxanne

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Mud, Sweat & Beers: Firefly 2015

Now that the mud and filth that had been accumulating in layers on my body have been scrubbed off, I can finally recover comfortably by binge watching shows and movies all day on my couch in my wonderfully air conditioned home, and recall all of the memories made this past weekend.

Firefly 8

I had never camped at a music festival before, and I had never been to a four-day music festival either so Firefly seemed a bit daunting to me at first, but I was ready for the challenge.  The squad was more than prepared — though, it didn’t initially feel like it as we made the trek to Dover, Delaware (more like DelaWHERE, am I right?!) unsure of what to anticipate.  Upon arriving at our home for the next four days, we were forced to set up camp in our muddy swampland (that’s over exaggerating, but not entirely inaccurate) while it was lightly raining.  There was an unspoken nervousness about the precedent that this set for the long weekend ahead of us, but at the same time, there was a oh-well-fuck-it-let’s-have-fun-anyway vibe in the air.  And that’s exactly what we did despite the weather, living conditions, hygiene levels, and chaffing issues (our weekend was sponsored by Johnson & Johnson baby powder).

Day 1, Thursday.  After setting up camp and getting acclimated with our makeshift home, we chilled until the late start of the festival.  What was supposed to be a relaxing day, though, turned out to be kind of strenuous since the mud made trekking through the festival pretty tough.  Thank baby J for Target rain boots because it made getting from stage to stage just a tiny bit easier.  After solving some wristband entry issues, we were off to an otherwise great start music-wise with Hey Rosetta! at the Backyard Stage.  The lighthearted indie rock sound of the band made it easy to jam out despite not previously knowing their songs.  After hearing the one Panama Wedding song I knew, we headed over to catch a bit of Grizfolk, who I’d previously seen open up for Bastille on their Bad Blood tour.  When I first saw Grizfolk, I was extremely underwhelmed, but at Firefly, it was clear that they had improved and their typical alt rock sounds were exactly what I needed while I chomped on Hawaiian-style soba noodles (the real MVP of the weekend).  Catching the tail end of Solidisco at the Pavilion Stage (which housed most EDM acts for the weekend) pumped us up for Sweater Beats, who I had seen open up for Flume and, later, Chance the Rapper when he came to Rutgers.  Sweater Beats was one of my favorites of the weekend — his use of choppy synths and tight drums remind me of Flume and Cashmere Cat, but are unique in the way he combines multiple layers of sound packaging it all in a dance-worthy track (i.e., “Cloud City”).  After Sweater Beats was the first tough scheduling conflict of the weekend between The Kooks, X Ambassadors, and Tycho.  Since I’ve already seen Tycho at Coachella, I stayed for about 3 songs before moving to X Ambassadors who I was STOKED to see. Besides “Jungle” and “Renegades,” I was unaware of other X Ambassadors songs.  I was pretty disappointed with their other songs, which when played live, sounded like they were confused about what sound they wanted to establish for themselves.  Nonetheless, “Renegades” and “Jungle” were on point and the perfect amount of rock and roll.  On the way out, we heard The Kooks and were still jamming, so I can only imagine what it was like to be in the heart of the crowd during hits like “Junk of the Heart (Happy),” “Bad Habit,” and “Naive.”

Day 2, Friday.  The first day of waking up early due to the heat started with a trip to the porta potties, which were steadily hoarding all types of waste products.  After taking a baby wipe shower and feeling like a million bucks after doing so, we hung out at the campground until leaving around 2:30pm to try and catch Manchester Orchestra at the Main Stage.  Firefly 10Despite my face melting off, I was pleasantly surprised at how much I enjoyed Manchester Orchestra and their alt rock songs — it provided a nice break from the predominantly indie weekend.  Other notable performances of the packed day included Walk the Moon and Odesza (another weekend favorite of mine).  I was stoked to see Cage the Elephant and even left Walk the Moon a bit early to catch ’em.  I wasn’t particularly impressed but not necessarily disappointed by their performance — I would say their set was just average.  “Come a Little Closer” and “Ain’t No Rest for the Wicked” were still amazing, of course.  Lead singer Matt got me stoked to see Paul McCartney later that night by singing Happy Birthday to Sir Paul.  Glass Animals was just as groovy as you’d imagine with their hard-to-pinpoint sounds that put you in what feels like a drug-induced trance (perfect for: those tripping on Acid).  After Glass Animals was the second tough conflict: Modest Mouse, Run the Jewels, and Kygo.  After staying for about 10 minutes of Modest Mouse, we headed over to Kygo, which was  a no brainer for me since I had skipped out on him early at both Ultra and Coachella.  Listening to Kygo’s steel drum synths just felt right, but when the second set of speakers shut off leaving only the main speakers, it got kind of old after a while.  From what I heard from my other friends, Run the Jewels was as aggressive as their music is, creating a fun and wild atmosphere for the crowd.  After finally finding a spot on the grass that wasn’t too muddy, we popped a squat and enjoyed listening to Paul freakin’ McCartney.  Having parents who always sung Beatles songs to me growing up, and I mean, being a functioning human and knowing who the Beatles were, it was hard for me to come to terms with the fact that I was seeing a Beatle perform LIVE right in front of me who was also breathing the same air as me.  Since he had just turned 73 the night before, it was only right that Paul opened up with “Birthday.”  My Firefly moment- and the moment I’ll remember for the rest of my life- was when thousands upon thousands of festival attendees came together to sing along to Hey Jude.  Looking at the illuminated stage and the crowds that surrounded, I couldn’t help but get choked up thinking: you’ll never be as young as right now.  I get the chills every time I think about the moment.  It felt weird going from that magical moment to the raging crowd of Zedd, who I was initially excited to see, but was ultimately unimpressed (although my friends had a blast).  I made what I consider one of the best decisions of the entire weekend by leaving Zedd early to catch Marian Hill who was straight up swagger and baby-making music.  The use of heavy beats, sensual saxophone solos, and smooth vocals immediately made me 8-months pregnant.  I was sweating profusely both from the humidity and the music.

Day 3, Saturday.  After marinating in my filth for 3 days, I finally took a mini-shower via watering can and a few water bottles.  I felt like a new woman — and that’s no exaggeration.  Still exhausted from the day before, we took it easy and played several rounds of Mafia, which was full of ridiculous death stories and random accusations (shout out to the South Beach Killa), before leaving around 3pm to catch Gary Clark Jr.  We were all so clearly beat from the day before so we spent most of the day sitting on a picnic blanket listening to the music.  Firefly 2Gary Clark Jr. was awesome and obviously one long guitar riff upon guitar riff.  Andrew McMahon was underwhelming, but it could also be because I was expecting him to perform more Jack’s Mannequin stuff.  After was the most energetic set and one of my absolute favorites of the weekend: Matt and Kim.  I love Matt and Kim, but I was totally not expecting their set to be THAT much fun.  The Brooklyn duo are perfect together and their stage presence/energy was palpable; aside from catchy pop beats with heavy percussion, their set was full of crowd surfing (“If you have never crowd surfed before, now’s the time to check that box off!”), t-shirt waving, and jumping.  Matt and Kim got the crowd moving like no other artist I had seen that weekend.  After Matt & Kim, I caught a bit of Spoon while spooning some salad into my mouth (lol), and was expecting to see Dirty Heads, However, because of an impending storm, Foster the People was moved up 15 minutes earlier than expected, which means I had to go right from Spoon to Foster.  Firefly 7One of my biggest disappointments of the weekend was not being able to see Dirty Heads.  My favorite of the entire weekend was Foster the People, and while yes, that is probably a biased opinion, their set was amazing nonetheless full of all its typical glorious psychedelic indie rock through a combination of songs from Supermodel and Torches.  It felt almost religious while they were playing “Coming of Age” knowing that they had first debuted the song at Firefly 3 years ago.  We were at Kid Cudi for a few songs before he stopped short with an announcement that Firefly was shutting down for the night due to a big storm with approximately 60 mph winds (aka enough to blow me away).  Because of the storm, Kid Cudi was unable to continue and Kings of Leon didn’t get to perform.  Firefly 12A bit freaked out by this, we rushed back to the campsite and acted like a mini-army moving quickly to get everything in place before the storm came — it almost felt like we were in The Day After Tomorrow, and I’d be lying if I said I didn’t for a second consider calling an Uber to take me anywhere but there.  That night, we slept inside our cars, but at 4am I couldn’t take the heat of the cramped trunk of the van and had to go for a walk around the campgrounds with a friend.  It felt a little surreal to see some of the damages the storm caused and reminded me vaguely of the time I drove around with my family after Hurricane Sandy had hit New Jersey.

Day 4, Sunday.  Momma, we made it!  It’s safe to say that every single one of us (and there were 12 of us to be exact) felt both exhausted and excited on the last day of the festival.  It was a weird combination of excitement for the day ahead, but also for the day to be over because that meant home, real showers, air conditioning, a bed, and food other than burgers and hot dogs.  Firefly 9After packing up our campsite and moving to a parking lot closer to the actual festival, we were all ready to endure the day.  Although we were excited for all the acts we were seeing that day (to name a few: Hozier, Bastille, and The Killers), we were all counting down (“After this set, we only have Bastille, Empire of the Sun, The Killers, and then home!!”).  Despite having already seen Hozier at Coachella, he was one of my favorites of the weekend.  With his man bun, blues-y, rock and roll rhythms, and romantic yet destructive lyrics, Hozier wow-ed the crowd playing hits like “From Eden” and “Someone New.”  Because mother nature took Sunday a little too seriously, it was incredibly hot the entire day, so for as many acts possible, we took shelter on the good ol’ grass.  I enjoyed Bastille so much and sang along to every song because it’s impossible to not, but I was a bit disappointed with the sound production considering they performed on the Main Stage.  The bass created an uncomfortable sound that slightly took away from the vocals.  Still, Dan from Bastille is a dreamboat and I’d listen to him sing any day.  FINALLY, we were waiting in the tightly packed crowd for The Killers with sweat dripping from all possible places on our bodies.  The Killers were 20 minutes late, but were immediately forgiven when Brandon Flowers ran onto the stage with his boyish charm and nothing but a smile and a “Hello” before bursting into “Mr. Brightside.”  It didn’t take long for the crowd to lose control and sing along to the song that we’ve all screamed at the top of our lungs at least one time before.  Responsible for so many hits, The Killers made sure to play all of them from “All These Things That I’ve Done” to “Somebody Told Me.”  Along with their hits, The Killers paid homage to Creedence Clearwater Revival (“You guys like CCR?”) by playing “Bad Moon Rising” and honored Kings of Leon (“You guys like Kings of Leon?”) by performing a cover of “The Bucket” and an abridged version of “Use Somebody.”  I, personally, had another Firefly moment when the band performed “Runaways,” one of my favorite songs.  I felt honored to have been able to see The Killers perform considering a performance from them nowadays is rare.  Just like during Foster the People, it was amazing to watch the band come in a full circle since they performed at the inaugural Firefly in July 2012.  It only felt right that the night and the entire weekend closed out to “When You Were Young.”

While my time at Firefly was enjoyable, there are things the festival can improve, like having more stadium lights put up considering both the wet and dry mud created uneven and almost dangerous walks at night.  Also, their evacuation method was unorganized and could have easily been chaotic if the hordes of festival attendees began to run back to their campsites.  Although the severity of the storm was unexpected, a precautionary plan should have been created and implemented given that the forecast for the festival had predicted rain for the weekend anyway (trust me, I know because I checked the weather several times beforehand to help plan my #ootd).  As for the mud though, I think Firefly did what it could to make things a bit easier for attendees.firefly 1

In the heat of the moment (literally — if it wasn’t hot, it was humid), I was unable to truly consider my time at Firefly — honestly, I think dirt was clogging my brain.  But looking back now, Firefly was the perfect way to end my season of festivals.  The dirt might be gone, but my sunburn and memories live on.

Stay tuned,

Roxanne

 

10 Best Songs for a Late Night Drive

One of my favorite things about summertime (besides the beach, sunshine, and overall carefreeness of everything) is driving late at night.  The roads are mostly empty, making the drive 100x more relaxing (sometimes a little scary, but still — pretty relaxing).  The late hour, the lack of cars, the breezy summer air — all of it induces some quality late night deep thinking.  And while silence on a late night drive can sometimes be relaxing, I prefer certain types of music over others to keep me company.  Here are the perfect songs for a late night drive:

Night drive

1. Can’t Do Without You by Caribou.  A very easygoing, mindless song that semi-hypnotizes you to focus on that empty road (probably the best part of a late night drive).

2. Awake by Tycho.  I always use late night drives to just think- about anything and everything- so having a chill, catchy instrumental to act as background music to my racing thoughts helps.  Plus, this awesome beat keeps you “AWAKE” (too corny?).

3. Bloom by ODESZA.  If you couldn’t tell by now, I love a catchy, almost abstract-sounding beat while I drive at night.  This song’s perfect for those 1am vibes.

4. Gooey by Glass Animals.  Honestly, I can put this song on repeat for the whole drive home.  When this is on, you gotta roll those windows down, stick your arm out a bit, and feel the wind slip through your fingers to compliment the ~GrOoVy~ vibe of the song (but after, please put your arm back in the car — it freaks me out when people just dangle an arm out the window).  Side note: What is he actually saying in the song?  I always only just pick up on “little pooh bear” and “peanut butter vibes.”

5. Firestone by Kygo, Conrad Sewell.  Kygo can do no wrong.  Ugh, those steel-drum synths just get me every. single. time.

6. Manhattan by Kings of Leon.  This song screams nighttime drive to me.  That classic Kings of Leon alternative rock sound was pretty much made for driving between the hours of 10pm to 3am.

7. Midnight City by M83.  CLASSIC, AM I RIGHT?!

8. Nightcall by Kavinsky.  Fun Fact: This song was also featured in the title scene of Drive — how fitting.

9. Faded by Zhu.  Super catchy and super mysterious — this could also be because Zhu opts to remain anonymous with the request of being judged purely on his/her (most people refer to Zhu as a male, but hey, #GirlPower) music.

10. Intro by The xx.  Are you sick of all the instrumentals yet?

**BONUS: for those extra long night drives (also because it was too difficult to cut songs out of the playlist)**

11. Drop the Game by Flume, Chet Faker.  The combination of Chet Faker’s vocals and Flume’s beat is straight up *fire emoji*.

12. Peaches by In The Valley Below.  Never fails to get stuck in my head for hours.  This song combines sultry, smooth, brooding male-female vocals mixed with catchy, almost 80’s-sounding synth and rhythm.

13. Coffee by Sylvan Esso.  Suitable for more mellow late night drives packed with lots of deep thinking.  Please note: I nearly made a joke about this song acting as “coffee” in keeping you awake during a late night drive — I decided against it.

14. Sad Machine by Porter Robinson.  You could be the happiest person in the world, but Porter will still hit you with the feels.  Listening to this song while driving late at night will probably definitely make you the most sentimental person you’ve been in the past year.

15. Dead Air by CHVRCHES.  With a pop-y, synth-heavy beat and airy vocals, this song will definitely keep you awake whether it’s by accompanying your late nights thoughts or by you singing along to the catchy chorus (or at least trying to).

Stay tuned,

Roxanne